The Remains of the Day (1993) (2024)

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1993

Directed by James Ivory

Synopsis

Diamond in the Rough.

A rule bound head butler's world of manners and decorum in the household he maintains is tested by the arrival of a housekeeper who falls in love with him in post-WWI Britain. The possibility of romance and his master's cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude.

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  • Cast
  • Crew
  • Details
  • Genres
  • Releases

Cast

Anthony Hopkins Emma Thompson James Fox Christopher Reeve Hugh Grant Peter Vaughan Ben Chaplin Paula Jacobs Patrick Godfrey Michael Lonsdale Rupert Vansittart Tim Pigott-Smith Lena Headey Paul Copley Peter Cellier Brigitte Kahn John Savident Pip Torrens Peter Eyre Wolf Kahler Abigail Hopkins John Haycraft Caroline Hunt Steve Dibben Terence Bayler Peter Halliday Jeffry Wickham Tony Aitken Christopher Brown Show All…

DirectorDirector

James Ivory

ProducersProducers

Mike Nichols Ismail Merchant Donald Rosenfeld John Calley

WriterWriter

Ruth Prawer Jhabvala

Original WriterOriginal Writer

Kazuo Ishiguro

CastingCasting

Celestia Fox

EditorEditor

Andrew Marcus

CinematographyCinematography

Tony Pierce-Roberts

Assistant DirectorsAsst. Directors

Christopher Newman Bernard Bellew Simon Moseley

Executive ProducerExec. Producer

Paul Bradley

LightingLighting

Tommy Finch

Camera OperatorsCamera Operators

Roger Pearce Martin Body

Production DesignProduction Design

Luciana Arrighi

Art DirectionArt Direction

John Ralph

Set DecorationSet Decoration

Ian Whittaker

Visual EffectsVisual Effects

Martin Body

ChoreographyChoreography

Elizabeth Aldrich

ComposersComposers

Richard Robbins Geoff Alexander

SoundSound

Robin O'Donoghue

Costume DesignCostume Design

Jenny Beavan John Bright

MakeupMakeup

Norma Webb Christine Beveridge

HairstylingHairstyling

Carol Hemming Paolo Mantini

Studios

Columbia Pictures Mike Nichols Productions John Calley Productions Merchant Ivory Productions

Countries

UK USA

Primary Language

English

Spoken Languages

Alternative Titles

长日将尽, Остатъкът от деня, Elu kuldsed hetked, Na kraju dana, T' apomeinaria mias meras, Τ' απομεινάρια μιας μέρας, Shearit Ha-Yom, Hi no nagori, Dienos pedsakais, Resten av dagen, Ramasitele zilei, Ostaci dana, Ostanki dneva, Наприкінці дня, 남아있는 나날, Lo que queda del día, Quel che resta del giorno, Vestígios do Dia, Okruchy Dnia, Was vom Tage übrig blieb, Les Vestiges du jour, 告别有情天, Os Despojos do Dia, Soumrak dne, Napok romjai, На исходе дня, Günden Kalanlar, Återstoden av dagen, Τα Απομεινάρια μιας Μέρας, Resten af dagen, 日の名残り, שארית היום, Остатъците от деня, 長日將盡, Pitkän päivän ilta, Dienos pėdsakais, დღის ბოლოს, Rămășițele zilei, ครั้งหนึ่งที่เรารำลึก, Tàn Ngày Để Lại, El que queda del dia

Genres

Romance Drama

Themes

Moving relationship stories Politics and human rights Humanity and the world around us Passion and romance Powerful stories of heartbreak and suffering Captivating relationships and charming romance Touching and sentimental family stories Nazis and World War II Show All…

Releases by Date

Sort by

  • Date
  • Country

Premiere

14 Feb 1994
  • The Remains of the Day (1993) (3)Italy(Rome)

Theatrical

05 Nov 1993
  • The Remains of the Day (1993) (4)Canada

12 Nov 1993
  • The Remains of the Day (1993) (5)IrelandG
  • The Remains of the Day (1993) (6)UKU

19 Nov 1993
  • The Remains of the Day (1993) (7)USAPG

13 Jan 1994
  • The Remains of the Day (1993) (8)Argentina

23 Feb 1994
  • The Remains of the Day (1993) (9)FranceU

24 Feb 1994
  • The Remains of the Day (1993) (10)CzechiaU
  • The Remains of the Day (1993) (11)NetherlandsAL

25 Feb 1994
  • The Remains of the Day (1993) (12)Brazil10
  • The Remains of the Day (1993) (13)Italy
  • The Remains of the Day (1993) (14)SpainAPTA
  • The Remains of the Day (1993) (15)SwedenBtl

10 Mar 1994
  • The Remains of the Day (1993) (16)Germany6

11 Mar 1994
  • The Remains of the Day (1993) (17)PortugalM/12

16 Apr 1994
  • The Remains of the Day (1993) (18)South Korea12

Digital

30 Apr 2012
  • The Remains of the Day (1993) (19)France

30 Nov 2021
  • The Remains of the Day (1993) (20)France10

Physical

26 May 1994
  • The Remains of the Day (1993) (21)UKU

25 Nov 1994
  • The Remains of the Day (1993) (22)UKU

05 Sep 1995
  • The Remains of the Day (1993) (23)France

05 Sep 2001
  • The Remains of the Day (1993) (24)NetherlandsAL

01 Oct 2001
  • The Remains of the Day (1993) (25)France

09 Oct 2013
  • The Remains of the Day (1993) (26)NetherlandsAL

TV

11 Aug 2002
  • The Remains of the Day (1993) (27)NetherlandsAL

Releases by Country

Sort by

  • Date
  • Country
The Remains of the Day (1993) (29)Brazil
25 Feb 1994
  • Theatrical10
The Remains of the Day (1993) (30)Canada
05 Nov 1993
  • Theatrical
The Remains of the Day (1993) (31)Czechia
24 Feb 1994
  • TheatricalU
The Remains of the Day (1993) (32)France
23 Feb 1994
  • TheatricalU
05 Sep 1995
  • PhysicalVHS
01 Oct 2001
  • PhysicalDVD
30 Apr 2012
  • DigitalVOD
30 Nov 2021
  • Digital10Netflix
The Remains of the Day (1993) (33)Germany
10 Mar 1994
  • Theatrical6
The Remains of the Day (1993) (34)Ireland
12 Nov 1993
  • TheatricalG
The Remains of the Day (1993) (35)Italy
14 Feb 1994
  • Premiere(Rome)
25 Feb 1994
  • Theatrical
The Remains of the Day (1993) (36)Netherlands
24 Feb 1994
  • TheatricalAL
05 Sep 2001
  • PhysicalALDVD
11 Aug 2002
  • TVALNet5
09 Oct 2013
  • PhysicalALBluray
The Remains of the Day (1993) (37)Portugal
11 Mar 1994
  • TheatricalM/12
The Remains of the Day (1993) (38)South Korea
16 Apr 1994
  • Theatrical12
The Remains of the Day (1993) (39)Spain
25 Feb 1994
  • TheatricalAPTA
The Remains of the Day (1993) (40)Sweden
25 Feb 1994
  • TheatricalBtl
The Remains of the Day (1993) (41)UK
12 Nov 1993
  • TheatricalU
26 May 1994
  • PhysicalU
25 Nov 1994
  • PhysicalU
The Remains of the Day (1993) (42)USA
19 Nov 1993
  • TheatricalPG

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Popular reviews

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  • Review by Logan Kenny ★★★★★ 9

    I once saw someone call Scorsese’s The Age of Innocence the most violent film ever made. not in terms of on screen violence, it is an utterly bloodless film, but in terms of emotional repression and unfulfilled existence/romance. their belief was that the emotional pain and sacrifice of personal desire and affection for either duty or honour, is more brutal than any sequence of savage bloody violence. it’s not the end of love, but the lack of ability to properly take advantage of it is the worst heartbreak someone can endure. the regret, the longing of not just the person but the possibilities of what could have been if nothing but your emotions mattered. this all applies to The Remains…

  • Review by Laura Saladino ★★★★

    Anthony Hopkins attempting to give Hugh Grant a sex talk in a stately English garden is one of the best things ever put on screen.

  • Review by Nakul ★★★★½ 2

    "Why? Why, Mr. Stevens, why do you always have to hide what you feel?"

    Equal measures romantic and wistful, James Ivory's The Remains of the Day is one of the most poignant unrequited love stories ever. Beautifully made, riding with a breeze of melancholy and grace. The final scene between Anthony Hopkins and Emma Thompson hits you right in the centre of your heart.
    Anthony Hopkins is a damn treasure. He gives one of the best performances ever committed to film. Such a powerful and remarkably controlled performance, his body language & stare conveys so many feelings.

  • Review by regina ★★★★★ 3

    This review may contain spoilers. I can handle the truth.

    emotionally constipated hannibal and frustrated mrs. potts are in love with each other but unfortunately they're british

  • Review by phoebe 💫 ★★★★½

    repression core

  • Review by Chris 🍉 ★★★★★ 3

    "I'd be lost without her."

    I speak in hyperbole often but let me be completely literal: this is the absolute most painful film I've ever experienced and I wouldn't be surprised if it is the most painful film I ever will see. Every single frame, every twitch of Anthony Hopkins' face (who gives one of the best performances from any actor I've ever seen), every breath from Emma Thompson's mouth, every note of music, every missed opportunity... laced and dripping with pain, repression, and tragedy. The first time I watched this I was sent into a depressive episode that lasted longer than I care to admit and the film is no less affecting the second time. Movies really don't get much more perfectly crafted than this

  • Review by DrStrange110 ★★★★ 4

    The way Sir Hopkins expresses emotions without saying words is a silent poetry that just makes me cry

  • Review by Scott Tobias ★★★★½ 3

    My favorite of the Merchant-Ivory-Jhabvala collaborations. I'm a sucker for unrequited love stories in general, but the context of this one is so uniquely painful-- that Mr. Stevens, an English gentleman of the oldest school, should sacrifice his happiness to serve a master so utterly compromised and foolish and unworthy... well, as the kids say, you hate to see it.

  • Review by MJsays ★★★★ 1

    Never would I have imagined that two hours of observing posh folk politely offending each other while simultaneously falling in love would be something I’d enjoy, but here we are.

  • Review by Rafael "Parker!!" Jovine ★★★★ 2

    I’ve seen one or two of James’s movies before this one and honestly, they didn’t work for me, and one of them even had the GOAT Daniel Day Lewis! So while I see many people singing their praises for this one and all the Oscar noms it got, I was very adamant to check it out so it stayed on my queue list for months.

    And I am glad to see that my worries were unfounded. This is not the most enthralling and exciting film ever, but it’s a great one. Ivory brings such a delicacy to his movies, leaning less into the melodrama and more into the drama. Sometimes there’s a sense of solemnity and a “Britishness” to them,…

  • Review by Sean Gilman ★★★★

    I don't know what acting is, but whatever it is, I suspect that Anthony Hopkins in the years 1991-1993 did it as well as it can be done.

  • Review by Alec Price ★★★★★

    This utterly sublime adaptation of Kazuo Ishiguro's Booker Prize-winning novel not only represents the very best of the Merchant Ivory stable but also features the best performance of Anthony Hopkins' career. His turn as the dutiful and introverted butler Stevens is breathtaking in its carefully mannered discipline and precise attention to nuance, creating an indelibly moving impression of a man who in the later stages of middle age has only just begun to evaluate the loss of a life spent devoted to service at the expense of personal need. The gradual recognition of his deep longing for human connection with housekeeper Miss Kenton (Emma Thompson, equally impressive) is relayed in episodic flashbacks that also depict the social demise of his…

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The Remains of the Day (1993) (2024)

FAQs

What was the point of the movie Remains of the Day? ›

Both an acid indictment of the British class system and an unflinching portrayal of a man who in the end cannot transcend his largely self-imposed limitations, the film is both fascinating and agonizing to watch and its cumulative emotional impact will stay with you long after it's over.

Is The Remains of the Day based on fact true? ›

The Remains of the Day (1989) is not based on a true story despite including real-world events. The novel is, therefore, historical fiction.

How old was Emma Thompson in The Remains of the Day? ›

In pre-WWII England, the duty-bound head butler at Darlington House, Stevens (Anthony Hopkins- age 55 and at the top of his game), meets his (potential) match in a young housekeeper, Miss Kenton (Emma Thompson- just 33 and already quite accomplished).

Is Remains of the Day worth watching? ›

Ruth Prawer Jhabvala's adaptation of the novel is exceptional and James Ivory's direction has rarely been better or more focused. With all this said, it is Hopkins and Thompson that dominate the action and make "The Remains of the Day" one of the best films of the 1990s. 5 stars out of 5.

Was Mr. Stevens in love with Miss Kenton? ›

Not until the very last chapter, we know Mr. Stevens actually cares for or even has feelings for Miss Kenton. When Miss Kenton mentions that she could imagine a different outcome with them being together, he shortly mentions to us readers that his heart broke at that instance.

What is the main message of The Remains of the Day? ›

' 'The Remains of the Day is a book about a thwarted life. It's about how class conditioning can turn you into your own worst enemy, making you complicit in your own subservience.

Why is it called The Remains of the Day? ›

As well, "remains" is another word for a dead body, which connects with the death of Stevens's employer Lord Darlington. The "day" in the title represents life in general. The entire title's meaning is meant to convey how Stevens must live the rest of his life without wasting time dreaming of the past.

What happens at the end of The Remains of the Day? ›

At the end of the novel, Miss Kenton admits to Stevens that her life may have turned out better if she had married him. After hearing these words, Stevens is extremely upset. However, he does not tell Miss Kenton—whose married name is Mrs. Benn—how he feels.

What is the plot of Remains of the Day? ›

Does Mr. Stevens have autism? ›

The fact is, Stevens probably made the best choice for his aroace, Autistic self, in an era when marriage, sex and children was compulsory outside religious and service vocations. As the story clearly shows, if Mr Stevens had wanted a romantic or sexual relationship, he would have found one.

Are Emma Thompson and Anthony Hopkins friends? ›

That persona may be jarring to fans of the veteran thespian who, in his Oscar-nominated roles in films such as “The Remains of the Day,” is the very master of dignity. But his friend and frequent acting partner, Emma Thompson, knows that kind of behavior to be the real “Tony.”

Is The Remains of the Day movie like the book? ›

Leitch's quote summarizes the very idea of this essay: the novel and the film version of The Remains of the Day may very well be different from each other but it is quite absurd to state that a story always has to change when adapted to film.

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